Composition

The two women lay in approximate horizontal alignment; one floats and the other is on the ground. Their bodies overlap, with the front figure to the left of the back figure. Four distinct horizontal rectangles set the stage for these two poolside epicureans. At the base of the composition is deep blue water. A thin row of pink tiles separates the pool from a band of white, textured hardscaping. Beyond the two horizontal nudes is a swath of landscaped vegetation.

Each of these areas has its own pattern of textures. Light plays on the gentle ripples of the water. The transition between water and land is the row of glossy tiles and grid of white grout lines. The brushed texture of the pavement matches closely the pale yoga mat under the woman laying poolside. The landscaping is populated by organic patterns and earthy tones. Sunflowers dot the background.

The inflatable float, with a multicolor circle design, contains rings of circles, in varying sizes. The figure is partially visible through transparent portions of the float. Her contours are interrupted, yet discernable on closer inspection. She is both revealed and concealed in the same instant, creating a sense of mystery and motivating continued examination of details.

Theme

Dominating the mood is the choice of pose in the frontmost bather. She is positioned front-down over the pool float, bent at her hips, which she pushes into an exaggerated upward curve.

The tenor of this image is celebratory, presenting two spirited protagonists in a picturesque hideaway. The tranquil water helps convey a calm mood. The secluded setting conveys a sense of familiarity.

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The warm figure, arms and legs extended, stands out against the backdrop and foreground. Blue at the bottom and fading into neutral highlights above, the negative space contrasts sharply with her figure.

Theme

Literally uplifting, this depiction of an airborne nude woman is a celebration. The central figure of this image looks straight at the viewer, a grin on her face. This connection furthers the festive nature of the artwork. The playful nature of the chalk, with handprints on her body and the sand painting on the floor fits with the bright colors and mood.

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Composition

Her outermost fingers and toes point toward the upper left and lower left corners of the composition. Her body is devoid of adornment or attire except for a choker: a black velvet ribbon clasped at the front of her neck with a silver valentine heart.

Surrounding the main subject are five mirrored spheres. She clutches one silvery globe; the other four lie on the floor behind her.

The largest of these globes rests near the sharpest bend of her back, its mirrored surface distorting the reflection of most of her body. Barely discernible, it is a side of her only visible from this tiny view. Between the large sphere and her back, an area of negative space fills with shadow.

The remaining three objects are arranged in a semi-circular orbit around the large sphere, helping to balance the composition by filling the empty space between her hand and foot. The remainder of the scene to the lower right is blank, filled only with subtle shadowing.

Although the spheres are small compared to the shape of the figure, they stand out due to their metallic surface. Their nature as shiny objects grants them a special allure that naturally draws the eye.

This affordable image from an overhead vantage point is ready to fit into a standard frame and sized to display in just about any space.

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The subject is a statuesque blonde woman laying at the edge of a swimming pool. Her face is barely visible, creating a sense of mystique. We see a hint of her nose, cheek, and brow line. This may give the viewer a sense of a more private moment and less performative pose. Within the narrative of this image, the main character seems to be conducting her life without acknowledging that she is visible to others. The close framing suggest a familiarity with the subject

Composition

The woman’s legs are positioned close to the viewer and her body is foreshortened as it extends into the frame. Lines of perspective lead towards convergence beyond the frame. The edge of the pool and its trim, the shadow of a roofline along the concrete, and the edges of the towel create an A-shaped structure to this composition.

The bright area in the center is the primary focus of the image, flanked by the wedges of darker colors at the left and the right. A triangle of shadow bookends the figure on her left, and the triangle of water on her right.

A variety of patterns can be found in the water’s ripples, the pavement, the central figure, and the terry cloth towel. Folds and wrinkles in the cloth create further interest in this block of color. The effects of depth are emphasized by the placement of the railing and steps in the upper right corner. Due to the bright center and dark edges, these lower-contrast details might be considered only after closer inspection of the composition.

The textures in this image include the rough pavement, which can be compared to the soft, stippled texture of the towel. Other textures include the side of the pool and the glassy water as well as the smooth chrome handrail.

Despite using effects of depth and perspective, the image lacks a traditional makeup of foreground, mid-ground, and background. Instead, the artwork depicts a single continuous plane, extending from the bottom to the top of the frame. The pavement and white pool edging exist on this plane.

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The central figure is predominantly lit from the right, with deep shadows defining her back through her legs. Her face and hair glow in an unseen light source, perhaps a rising or setting sun outside an adjacent window.

Two knobs are visible on the control panel of the clothes dryer. The panel has a gleaming brushed-metallic finish. Above the woman are three cabinets. Two knobs are visible on the cabinet doors, repeating the shape of the knobs on the dryer. Behind her is a door, recognizable only by a single hinge, the rest of the door is hidden by a thick curtain. The lines of the appliances, door frame, and cabinet are straight up and down, as well as left to right.

On the back wall, visible in the gap between the washer and the door is an electrical cord plugged into an outlet. The cord forms a wavy black line. The other similarly wavy lines in this composition are the curtain on the door, the woman’s light hair, and the fabric that she holds.

The incongruity of the unexpected scene is that a nude woman is performing the everyday task of doing laundry. The image is clearly a performance: she has a single garment and her stance prioritizes being seen over completing her presumed task.

Other than her nudity, there are few distinctive elements in the scene. The nondescript cabinetry and confined space make it appear to be the laundry room of a modest home.

The black-and-white checkerboard flooring has a nostalgic flair and draws interest to the setting. The classic tile pattern is one well suited to a monochromatic art nude photograph. Compositionally, the flooring pattern is an example of perceptive lines in an image that is mostly structured through horizontal and vertical lines. In this way, it is one of the few elements that gives the small space a sense of depth.

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A statuesque nude displays agility and athleticism in this limited edition archival photograph. The musculature of her arms and back are on prominent display as a result of her pose. Her body is inverted and balanced as she arches backwards, The visual arrangement is arresting. The slightly warm black-and-white rendition communicates a more thoughtful mood than a color photograph might.

Despite the overt activity on display, there is a static element to this image. Her body is momentarily still, balanced in this temporary position. Defying gravity, there is a tension to the image, one that we know cannot last forever. We are witnessing a moment of balance, the peak of a performance, sandwiched between the beginning and end.

We see the left side of her body. But she is not entirely in profile. She is turned just enough towards us for the difference to be noticeable. We see only part of her face, the rest is hidden behind her forearm. Her weight is on her elbows and head. The pose accentuates her back and draws attention to her back and down her legs. Despite not being able to fully see her expression, she exudes positivity and enthusiasm.

Affordable original art photography means an economical initial purchase, reasonable shipping costs, and the option to fit into off-the shelf framing, meaning no custom framing costs and no extra trip to your local frame shop. Whichever route you choose, please frame your artwork promptly or choose some other kind of long-term archival protection. Don’t store the artwork in the shipping container for an extended period of time.

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With elements of pinup, the image is rather tongue-in-cheek as a whimsical self satire. Although the kitchen knife might represent danger, it is presented in a jesting manner. Tufts of white fluff on her flip flops match the cuffs of her gloves.

Her expression draws the viewer in with a mix of sensual allure and mysterious wonder. Her eyes dart to one side, implying a sudden shift. The image holds additional dynamic elements. One heel is lifted and her lean muscles are taut. The curve formed by her back and hips not only accentuates her presence but makes her appear poised to act.

A purple flower adorns her ear, flanked by brunette locks. Her chin is raised, head tilted back. Her face is framed by shoulder-length brown hair.

This whimsical art nude photograph is compact enough to decorate most any space. It is large enough to garner attention and become a conversation piece.

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The protagonist’s attention is directed off-axis from her body as if distracted by or anticipating something just out of view. Her hands are loosely folded together in front of her body with her arms positioned for balance while spinning. Her back knee is lifted in an uninhibited pose.

Hanging from her necklace is the symbol for the Roman goddess Venus. The iconic circle above a cross is so small it is barely discernible.

The expanse behind the nude figure is a pale robin’s-egg blue, which dips to shadow near the top and corners. A bright spot in the emptiness to the right of the dancer adds to her sense of forward motion. Her pale rose slippers and the ribbons stand out as they dip into the multicolored planks of wood flooring. A sliver of her reflection is visible at the bottom of the composition, visually anchoring her to the environment.

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Bright sun illuminates the scene and the protagonist squints while looking to the side. Although the overall contrast is deep, shallow shadows define areas such as the face, torso, and arms. Deep tones in the background create a strong horizontal band. This is followed by a light swath behind her, and another band of dark stone at the edge of the pool.

Ribbons of sunlight dance on the surface of the water. These are most visible over the darker areas of water near the bottom portion of the limited edition art photograph.

Underwater, curved steps illustrate a variety of depth and dimension. Light dances on the surface and reflects to soften the shadows.

You can buy this limited edition art photograph directly from the artist who made it. This photograph is part of a limited edition, which means that it is produced in a small quantity and each print is signed and numbered by the artist. This makes it an original and collectable piece of art. The high-quality and durable materials are chosen for their unsurpassed ability to retain color and resist fading over time.

Compare this artwork to the large original art nude “L’obsession” which is substantially similar in composition and subject matter. Also consider an affordable alternative, the black and white nude art photograph “Emily on the Bridge.”

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A single figure stands on one leg. Behind her is a murky lagoon scene that is as mysterious as it is inviting. She lifts one arm and one leg on the same side of her body.

With her elbow and knee bent, the contour of this side forms an intriguing shape of negative space (the background near her body.) Her other hand traces the other side of her rib cage with her fingertips.

Her chin is tipped upward and she gazes into the distance. A metallic star hangs from a black ribbon around her neck. Chestnut hair brushes her shoulder. Her lip are parted and she exhibits a peaceful expression.

Although her upper legs are tightly aligned, the general demeanor of the composition is far from modest. She is carefree and blatant in her exaggerated stance.

A glimmer of sun is visible in the upper left, amid the cloudy sky.

Collecting an affordable original nude

There could be a few reasons why an art collector might find this affordable original nude art depicting a woman poolside appealing. One reason is the poolside setting which can evoke feelings of relaxation and leisure, and can be a symbol of luxury and wealth.

The subject matter of the female form has been a popular subject in art throughout history. This pose of a woman by the pool is sensual and alluring.

Additionally, the affordable price point of this piece can make it appealing as it allows art photography collectors who may not have as large of a budget to still acquire original art.

Perhaps, this artwork holds a personal significance for the collector, either because of a personal connection to the setting or subject resonates with the photography collector on an emotional level.

“Divine Dilemma” is owned by art collectors in the United States (South Carolina, North Carolina, New York, Nevada, Massachusetts, Ohio, and Maine), Denmark, Hong Kong, France, and Belgium.

Other artworks to consider

Compare this artwork to the limited edition art photograph “Pacific Standard Time.” If you’re looking for a much larger artwork, consider the contemporary black and white nude “The Likeness of Julie”.

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